Monday, 23 December 2013

The Ballad of the Five Marys - Donald Smith

Sometimes when you’re an intern at a publishing house you get questions that you really don’t know how to answer.  These are questions like: “How are you finding your time here?”, “Would it be okay if I asked you to do...” and “Isn’t this cover that I designed fabulous?” which all have very nice and easy answers.  You say: “It’s great, I’m having an amazing time”, “Of course, nothing would please me more” and “It’s beautiful!” and to be honest most of the time you are being truthful because every person that I have worked with so far in this industry has been incredibly friendly and talented.  On occasion, however, the tricky questions come up., the most difficult of which is: “What do you think of this book?” Now this is more than a question of sucking up to the powers that be. You can’t of course be wholly negative, but a sycophantic response praising the book to the rafters is not always appropriate either. You’re trying to show off judgement, taste and maybe a bit of a discerning sense of where the market is.  This means that the normal response is to praise the book but offer reservations. 

Where am I going with all of this?  Well near the end of my first placement with Luath I was given Donald Smith’s The Ballad of the Five Marys to proof-read.  This is a historical-fiction novel set during the life of Mary I of Scotland (the inner historian in me hates calling her Mary Queen of Scots for boring reasons that I will not get into here).  I read through much of the book in one day and was asked how I was finding it.  I, truthfully (often a mistake in work and in love), said that I was really enjoying it and thought it could be, if marketed right, a big seller.  Apparently this was the correct answer (phew!) as the book was quite popular in the office.  However, on describing the novel to some of my friends I have found that people have been quite sceptical about it.  Therefore the purpose of this review really is going to be me attempting to persuade you that this book is, in fact, a really rather excellent historical novel set in a period saturated with a lot of very average works.

The main reason for why I like this book is the style.  Unlike other genres of fiction, I find that historical fiction tends to be a little stuck in its ways. Most books tend to be written in a fairly standard first-person style, focussing on one or two characters’ journey or in a narrative third-person style. This book is nothing like that at all.  It is set throughout most of the life of Mary Stewart, first crowned regnant-Queen of Scots from the time of her birth to her incarceration by Elizabeth I of England.  The story is told through a number of POV accounts, set through a combination of diary/diary-like accounts, personal correspondence and other similar methods.  The idea essentially is to get a widow on the minds of each individual.  The ‘Five Marys’ (four companions of Mary I along with the queen herself) have their own shared diary, form around half of this, the rest being various people from like Darnley and Bothwell.  The author has a strong didactic purpose (something that I will come back to later) and this means that he attempts to get as many different perspectives in as possible, but this does not distract from the story-telling – in fact I believe it enhances it greatly.  As a historian with an interest in the period I am perhaps not the best person to talk about with regard to how the characters come across, but in my view they are differentiated well without becoming generic and all bring their own distinctive flavours to the story.  Equally, one would expect a story that covers such a significant amount of time to rather flounder as time passes, but quite the contrary, I find it picks up pace as the story progresses.

This story’s main weakness, however, lies in its didactic purpose.  The author professes himself to be a big fan of Mary Stewart and intends for the novel to redress the balance of some professional historiography that, in Donald Smith’s view, unfairly maligns her.   For me this is a rather troubling stance to take.  It is true that modern historiography has often shown Mary to be a rather naive queen, whose poor choices in husband led Scotland to a very bloody period of civil strife that dogged not only her reign but also the minority of her son James.  Furthermore, there is a very valid argument that perhaps this line of enquiry can be overplayed; Mary ruled at a very difficult time thanks to the emerging power of England and the turmoil of the Reformation.  Having said all of that, however, for a fictional account to be attempting to pass itself off as some sort of amateur history strikes me as being a little troubling.  It strikes me as being a bit like films such as BRaveheart that have very little grounding in actual history, but pass themselves off as fact.  Now this book has far more accuracy than Mel Gibson’s mauling of history, but it must always be remembered that this is fiction.  Leave history to the pros!  The worst example of this is the final page which lists a group of ‘Discussion Questions’ which seems to suggest that Smith intends for this book to be taught to children in school as History.  I really hope that is not the case as it would mark a remarkable dilution of the subject for a fiction book to be passed off as fact!

Despite this reservation, I would strongly recommend this book to fans of historical-fiction, if nothing else than because stylistically it is so different from anything I have read before in adult fiction.  Ignore the pretentions of historical scholarship and you will find a very pleasing read!

7/10

No comments:

Post a Comment